I have a background in Art History (La Sapienza, Rome) and Comparative Literatures (Sorbonne Nouvelle, Paris), and I am currently undertaking a PhD in Art History at the University of Sussex, funded by CHASE. My research focuses on the late works of Carla Lonzi, particularly the intersections of art criticism, feminist theory, and experimental writing. I am interested in how art writing and life writing converge, and in the potential of personal narrative as a mode of critical and political expression. Micro, self-, queer, and feminist publishing form a key part of my research, both as a historical field and as a contemporary practice that challenges dominant structures of authorship, visibility, and knowledge production. My work often explores how writing—both individual and collective—can be used to rethink the relationship between theory, practice, and lived experience.