I am interested in working with artists whose practices feel fearlessly authentic, both reflect and challenge contemporary languages and institutions, provoke a sense of surprise and a compulsion to deepen knowledge of their work. My focus lies in the attitude towards process rather than any specific medium. I am particularly interested in artists who engage with text-based practices—whether visibly displayed or woven in paratextual elements and constructed personae—and drawn to encounters that foster mutual learning and transformation.

I am the co-founder and director of La Plage, a project space initiated in 2015. Located in a 5×2-metre vitrine in a passageway in Paris’s 3rd arrondissement, La Plage emerged out of economic constraints and is grounded in structural precarity, both a reflection of and a response to the conditions shaping independent curatorial practices today. It engages critically with notions of visibility, display, and spatial negotiation, and has become an iconic and resonant platform within the contemporary art landscape — you can explore the programme here. Over time, La Plage has developed into a blueprint for a radical exhibition model, one that reconfigures the hierarchies between centre and margin, positioning this dynamic as a generative site for artistic and curatorial practice.